Dragon Age 2 and Dragon Age: Origins. I started with the much reviled second entry into Bioware’s sword and sorcery franchise. When it first came out I made a good faith attempt to play the original, but I failed to get into the game and decided to cut bait after about three hours. Something about the mechanics of the game just didn’t click with me and I had trouble effectively controlling my party. But after playing my way through the sequel, I decided to give Origins another go-round and this time it all made sense. I purchased the Ultimate Edition with all the DLC included so I went dead to the world for a significant portion of the summer while I quested my Grey Warden from one end of Thedas to the other. That was after I lead my dapper rogue through a tumultuous decade of running around Kirkwall and bedding pirate queens in part 2. Although the recycled level in part two did get old, I loved the setting and characters. This whole series has restarted my long dormant love of the fantasy genre. Thanks so much Dragon Age. I thought I was done with barbarians wielding swords…
Batman: Arkham City. The purest Batman experience is sadly the closest I will ever come to swinging down from a gargoyle and straight up punching a criminal in the face. The open world mechanic worked like a charm and the voice acting was top-notch. The plot was convoluted and some of the action setpieces didn’t quite work out as well as they were intended to, but overall Rocksteady knocked it out of the park with this one.
Warhammer 40,000: Space Marine. Not much to add beyond what I’ve already said, but this game was not without it’s charm and suffered from the inevitable comparisons to
Gear of War 3. So the saga of Marcus Fenix and his human meat tank bros finally came to an end this year. I have only played the campaigns for the three games in the Gears of War series, and I found the story of an earth-like world rocking from cataclysm after cataclysm strangely compelling. The background story plays out like the hopelessness of early Battlestar Galactica crossed with the macho posturing and general brotasticity of Predator. The gameplay was hectic and the fine folks at Epic Games know how to put together excellent firefights on a massive scale. The third installment tied up most of the loose ends and while the game failed to achieve anything approaching real pathos, the narrative never shied away from taking risks.
Call of Duty: BlackOps. Another game which I have already spoken about at length.
Deus Ex: Human Revolution. This was easily my most anticipated game of 2011. I absolutely adored the original and its sequel, and I was totally looking forward to immersing myself in the cyberpunk noir future where human augmentation had run amok and tranhumanist philosophy had created a race of nano-enhanced supermen. Human Revolution delivered the goods. The game wasn’t perfect. The boss fights felt tacked on and went against the grain of everything the game’s structure had been pushing toward and the ending(s) left a great deal to be desired but this game had texture, man. There was a grit and a lived-in feeling that permeated every aspect of the game’s world of 2027, from Jensen’s apartment to the neon fever dream that was Hengsha. This game was awesome.
Crysis 2. I did not play the first Crysis, so I am unable to assess its merits in contrast to the first version of the game. I can tell you that this version was a better than average shooter whose sci-fi aliens invading New York city narrative was almost done in by some shoddy A.I. and less than thrilling enemy design. I liked the convoluted plot and the gameplay variations that you get from your nanomachine super-suit, like invisibility, invincibility, and speed but the experience never really gelled for me.
Assassin’s Creed: Brotherhood. Another sequel that I dove into the deep end without starting at the dawn of the franchise. This version was the first Assassin’s Creed game I ever played, and I enjoyed the crap out of it. The narrative was gibberish, but the stealth and planning elements to each hit were fun. My main criticism came when I realized that it was nearly impossible to actually die. Ezio’s health regenerates just a little that makes it difficult for even a swarm of Borgia goons to actually kill the player character. The challenge, then, comes from the mission parameters and whether you are able to sneak and stealth your way through your objectives without being seen.
Fallout: New Vegas. This one almost didn’t make the list because I couldn’t make it to completion. After around thirty hours of roaming the wastes with my trusty supermutant companion helping out survivors of the last great war and personally assassinating Caesar this broken, buggy, unfinished game went crashed on me and I was unable to load any of my save games. I enjoyed the experience before it came to a crashing halt, but I didn’t have the patience at the time to retrace my steps in the game so I stopped playing. I plan on buying the ultimate edition later this year, which will include all the downloadable content and hopefully a stable version of the game itself. I will give that version another try, but I am worried because war never changes.
Portal 2. Easily the funniest and most well-constructed game of last year, Portal 2 was short, sweet, and to the point. It was funny and I don’t have a single bad thing to say about it.
The Semantic Drift Game of the Year: I played some excellent games this past year. Skyrim kicks so much ass, but I am still neck deep in the Stormcloak rebellion and I don’t want it to end ever. Since I haven’t completed the game and will be slaying dragons for at least the first few months of 2012, the game is exempt. That leaves Batman: Arkham City as the greatest game of 2011.